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* PDF Download The Endless Web: Fascial Anatomy and Physical Reality, by R. Louis Schultz Ph.D., Rosemary Do Feitis

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The Endless Web: Fascial Anatomy and Physical Reality, by R. Louis Schultz Ph.D., Rosemary Do Feitis

The Endless Web: Fascial Anatomy and Physical Reality, by R. Louis Schultz Ph.D., Rosemary Do Feitis



The Endless Web: Fascial Anatomy and Physical Reality, by R. Louis Schultz Ph.D., Rosemary Do Feitis

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The Endless Web: Fascial Anatomy and Physical Reality, by R. Louis Schultz Ph.D., Rosemary Do Feitis

The result of more than two decades of research and practice, The Endless Web presents in clear, readable language a comprehensive guide to understanding and working effectively with the myofascial system, the 'packing material' of the body. Myofascia is a flexible network of tissue that surrounds, cushions, and supports muscles, bones, and organs. It also acts as a riverbed containing the flow of interstitial fluid, and is a critical influence on the immune and hormonal systems. In daily life, this connective tissue is an underlying determinant of movement quality, modd, alertness, and general well-being. The Endless Web is a fully illustrated guide to understanding how myofascia works, it supportive role within the body's anatomy, and how gentle manipulation of the myofascial tissue is central to lasting therapeutic intervention and how it can be integrated into any bodywork practice.

  • Sales Rank: #454918 in eBooks
  • Published on: 2013-05-07
  • Released on: 2013-05-07
  • Format: Kindle eBook

From the Back Cover
The result of more than two decades of research and practice, The Endless Web presents in clear, readable language a comprehensive guide to understanding and working effectively with the myofascial system, the "packing material" of the body. Myofascia is a flexible network of tissue that surrounds, cushions, and supports muscles, bones, and organs. It also acts as a riverbed containing the flow of interstitial fluid, and is a critical influence on the immune and hormonal systems. In daily life, this connective tissue is an underlying determinant of movement quality, mood, alertness, and general well-being. The Endless Web is a fully illustrated guide to understanding how myofascia works, its supportive role within the body's anatomy, and how gentle manipulation of the myofascial tissue is central to lasting therapeutic intervention and how it can be integrated into any bodywork practice.

About the Author
R. Louis Schultz has been a Rolfer since 1973, and is currently on the Anatomy Faculty of the Rolf Institute in New York City. He has authored numerous scientific articles and is co-editor with Rosemary Feitis of Remembering Ida Rolf (North Atlantic Books, 1996).Rosemary Feitis worked with Dr. Rolf on her groundbreaking book Rolfing, edited Rolfing and Physical Reality, and is co-editor of Remembering Ida Rolf. She practices Rolfing and homeopathy and lives in New York City.Illustrator Diana Salles is senior artist at the Museum of Natural History, New York.Photographer Ronald Thompson has been a Rolfer for twenty-five years and is a member of the Anatomy Faculty of the Rolf Institute.

Most helpful customer reviews

55 of 56 people found the following review helpful.
Endless Web of Fascia
By Michael A. Clark
This is a great introductory book to the complex study of fascia. The pros are that the authors are very qualified and knowledgable on the subject, and that it is well-written. The cons are that the material did not go as deep into human movement science (kinesiology) as I would have liked, and there was very little written on how to work through breaking down the myofascia. However, this is a great purchase because there is so much information that should be considered before working towards an approach to releasing the myofascia. I would like to see a second book by these authors; specifically addressing how to manipulate the soft-tissue. Overall it was a fascinating read, and worthy of study for anyone involved in physical therapy, corrective exercise, massage therapy, personal training, or anyone interested in learning more about the human body.

41 of 42 people found the following review helpful.
Highly recommended
By Hortensia
I have been teaching massage for over 20 years and I think this is an excellent text. I prefer it to Anatomy Trains, although that is also an excellent text. Beginning massage therapists tend to look at the body as muscle and bone, but there are more connections in the body than that. The Endless Web looks at fascial binding in a very understandable way, which adds a new and powerful dimension to a massage therapist's work.

108 of 126 people found the following review helpful.
Great view of connective tissue as a physical structure
By enuffodis
Before I read this book I had never really considered the functioning of connective tissue as a "web-like" structure within which bone and muscle articulate. The authors contend, starting with embrionic anatomy and onward, that the c.t. forms a bed within which cells differentiate. From this view point of c.t. being a primary base for physical form, we are shown how all parts of the web are connected, and create "bands" that ideally are nether too tight or too loose. I didn't know much about Rolfing either, but apparently this bodywork deals specificly with c.t. Good book, great publishing company.

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* Free Ebook The Girl Who Wouldn't Brush Her Hair, by Kate Bernheimer

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The Girl Who Wouldn't Brush Her Hair, by Kate Bernheimer

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The Girl Who Wouldn't Brush Her Hair, by Kate Bernheimer

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The Girl Who Wouldn't Brush Her Hair, by Kate Bernheimer

This hilarious, over-the-top story is perfect for any little girl who doesn't like to brush her hair.

What happens when our heroine neglects her long tresses? Well, one day a mouse comes to live in a particularly tangled lock. Soon after, more mice move in, and the girl's unruly mop is transformed into a marvelous mouse palace complete with secret passageways and a cheese cellar! But as the girl comes to find out, living with more than a hundred mice atop your head isn't always easy. . . .

"This tale will send kids the message that they must take care of their tresses." —Booklist 

"There are parents who will weep with joy at the prospect of a book that may encourage little Susie or Sam to finally brush that mane." —The Bulletin 


From the Hardcover edition.

  • Sales Rank: #487489 in eBooks
  • Published on: 2013-09-10
  • Released on: 2013-09-10
  • Format: Kindle eBook

From School Library Journal
PreS-Gr 2–A nameless heroine refuses to brush her bear-brown hair after her nightly bath. When the grown-ups, who hover at the edges of the story, object, she says, “It's just my way.” A mouse nests in her tangled curls, but she is unafraid. Rather, she welcomes scores of other mice, enjoying the company of her companions who tell knock-knock jokes and are kind to her favorite doll, Baby. Soon, the girl discovers some drawbacks to her unusual situation. She must share her food with the mice, they refuse to go in the bath, and they keep her awake all night. The hungry, dirty, and exhausted little girl does not know what to do until her teacher tells her that she can't bring Baby to school because she already has too many naptime friends with her. The child gently explains to the mice that it is time for them to go. That night, she washes and brushes her locks and finally gets a good night's sleep. On the playground, a couple of mice scout for a new home in the pigtails of another little girl. It is “just their way.” The digitally colored illustrations focus on the girl, showing her in her comfortable home or her cheerful schoolroom. Her luminous face expressively portrays her emotional journey throughout the fanciful fable. For a more straightforward treatment that also addresses the resulting struggle between mother and daughter, try Lee Fox's delightful Ella Kazoo Will Not Brush Her Hair (Walker, 2010).–Linda L. Walkins, Saint Joseph Preparatory High School, Boston, MAα(c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

From Booklist
A girl who won’t brush her hair finds herself with a mischief of mice upon her head. At first she delights in their company. They tell jokes and are nice to her baby doll, Baby. But the burden becomes heavy. The mice talk all night, leaving her sleep-deprived; they are ravenous, so the girl shares her lunch and goes hungry; they don’t like water, so the girl doesn’t bathe, which means she . . . smells. Worse, the teacher tells her she can’t have both the mice and Baby as her companions for naptime. But, as the girl explains to the mice, she really, really needs Baby. Glossy illustrations capture the growing, astonishing mess-of-a-hair-nest. The series of consequences spools out nicely even if the resolution feels a tad pat: the mice leave, and the girl takes a bath and, unprompted, brushes her hair. A less hair-raising adventure than Gaiman’s Crazy Hair (2009), but this tale will send kids the message that they must take care of their tresses. Preschool-Grade 1. --Jeanne McDermott

About the Author
KATE BERNHEIMER is the author of the picture books The Girl in the Castle Inside the Museum, a Publishers Weekly Best Book of the Year, and The Lonely Book. A fairy-tale expert, she is also the author and editor of many books for adults, including the story collections Horse, Flower, Bird and My Mother She Killed Me, My Father He Ate Me: Forty New Fairy Tales, a World Fantasy Award winner.

JAKE PARKER is the illustrator of the New York Times bestselling picture book The Astonishing Secret of Awesome Man by Michael Chabon. He is also the creator of the Missile Mouse graphic novel series. He has worked creating sets and environments for feature films like Horton Hears a Who, Ice Age: Dawn of the Dinosaurs, and Rio.  


From the Hardcover edition.

Most helpful customer reviews

0 of 0 people found the following review helpful.
This Book Is Fun To Read
By Helen
Hilarious book! Great Illustrations! My 5 year old granddaughter wants to read this book constantly. She used to complain about washing/combing her hair. After reading this book with me she commented "I'm always going to wash and comb my hair now". Then she said "can we read this again"? Her mother is now happy that she never complains about combing her hair. This is a very cute book.

0 of 0 people found the following review helpful.
Five Stars
By Claudia Parker
Cute story that teaches a lesson. Illustrations are darling!

0 of 0 people found the following review helpful.
Three Stars
By Jasmine Tanner
Art was great, but story could've been better

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? PDF Ebook Losing Your Faith, Finding Your Soul: The Passage to New Life When Old Beliefs Die, by David Robert Anderson

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Losing Your Faith, Finding Your Soul: The Passage to New Life When Old Beliefs Die, by David Robert Anderson



Losing Your Faith, Finding Your Soul: The Passage to New Life When Old Beliefs Die, by David Robert Anderson

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Losing Your Faith, Finding Your Soul: The Passage to New Life When Old Beliefs Die, by David Robert Anderson

Losing Your Faith, Finding Your Soul is for those of us who have come to the end of traditional beliefs and wonder if we have reached the end of faith as well. It is for the day when assumptions about God and the religious teachings we trusted in the past no longer apply to life. When your old beliefs die, is it possible to hold onto faith?
 
David Robert Anderson answers this question with a resounding yes. With Anderson as friend and guide, we discover that what once seemed an ending is actually a promising beginning—an invitation into a more authentic, and very different, spiritual experience.

  • Sales Rank: #657631 in eBooks
  • Published on: 2013-09-17
  • Released on: 2013-09-17
  • Format: Kindle eBook

Amazon.com Review
Q&A with David Robert Anderson

Q. When you turned 40 you experienced a series of events that shook your faith and forced you to find a new beginning in your spiritual life. Can you tell us about your experience?

A. I had a health scare that was my first brush with mortality. I thought I was a “successful” pastor until an arsonist burned down our church. People close to me started dying—then my mother died suddenly. My marriage couldn’t stand the stress. It wasn’t one thing, it was one thing after another. Life wasn’t turning out the way it was supposed to, and I was bitter, angry. I wanted my vision of the good life to be redeemed, saved. I didn’t realize it then, of course, but the collapse of my tightly controlled life was actually a prelude to a much more spacious and gracious way of living.

Q. You write that, “Only people who have faltered, lost a step, suffered and died a little, are ready for the divine life that cannot be earned but can only be received as a gift.” What is the gift that comes with coming to the end of traditional beliefs and looking for a new way forward?

A. Jesus’ story of the Prodigal Son is all about grace, and yet the only person who qualifies for that grace is the one character in the story none of us wants to be! We spend the first phase of life trying to prove to ourselves, to Mom and Dad, to the world that we’re good enough—we sure don’t need anybody’s grace. Then life has a way of wearing us down or breaking us down; now we can either surrender to this greater power, or we can fight it and try to reassert our control over that old, busted life. People in twelve-step programs know this best. You have to hit bottom, they say. That’s what has to happen spiritually. You have to say Uncle. You have to be done with all the goodness you’ve earned, so that you can open your humble, empty hands and receive the gift of divine life.

Q. You take readers through the six passages that everyone must make on the way to a mature, adult soul. Can you briefly describe these passages?

A. There are six passages but only one movement, really. When we leave conventional faith—Sunday school religion, in other words—everything moves from what I call out there to in here. It begins by recognizing that from childhood, other people have told you what to believe and how to live—and you’ve complied. The System laid out the path to the good life, and you got on it. So the first passage to an adult soul is simply acknowledging that the old life has failed and you must abandon it (The Good-Bye Gate). This is where authority starts to shift from parents and pastors and teachers and mentors—to you. You don’t depend on other people to tell you what’s good or right, you Stand Apart and begin to trust yourself. Once you’ve separated yourself from everything out there, you’re able to drop down in here—into your own soul where God is waiting. I call this the Deep Dive. Now a funny thing happens, even time moves from out there to in here (Arrival Time: Now). Now all that matters is—are you alive today, right now? Are you awake in this present moment? The ultimate passage follows, and that is Unconditional Surrender. In order to live in this spacious, present moment with God, you have to give up your own control. It’s where we learn forgiveness, and trust our lives to Someone greater. The final passage, Habits of the Heart, helps you to develop the daily, habitual practices that keep you spiritually in shape and alive for the rest of your life.

Q. Is the progression through these six passages linear? How can readers make the most of each transition?

A. Each passage builds on the knowledge and experience of the previous passage, but it’s hardly a linear progression. It’s more like a looping spiral, where we keep circling back over old territory—learning and re-learning, sometimes the hard way. But when we look back after days and years, we see that, gradually, the spiral journey has in fact moved us slowly into a new place. The keys, then, are two: awareness and patience. Pay attention to where you are, and trust that God—not you!—is the one who is leading you in this movement, and it is God who longs to bring you home.

Q. The key to moving from an old, dying faith into something alive is knowing what keeps us trapped in the old faith. Why is it important for readers to know what they’re up against?

A. Anyone who sets out on a spiritual journey must be aware that the conventional life that is presented to us as the unchangeable status quo—the only game in town—is in fact a destructive way of living. You have to know that and desire something better. In Pilgrim’s Progress, Christian’s home town is Destruction. In other words, every person ends up living in a place where the very life is being sucked out of you. I love that scene in the book when Christian flees the city of Destruction, crying, “Life! Life!” It’s quite possible to be lulled into complacent compliance, and never realize where you’re living. If you seek the ultimate life for which human beings were created, you have to know what you’re up against. Wake up. You have to realize that your old way of living and believing has broken down, and also recognize it as a huge opportunity that can catapult you out of the old and into the new.

Q. How do you direct readers to walk through the second passage, Stand Apart? How do they find their true self?

A. Most of us realize, after thirty or forty years, that we’ve been living someone else’s life. Our ideas, beliefs, convictions are all inherited from the group—family, ethnic heritage, church, neighborhood, school. There’s nothing wrong with that, in fact in the early stages of life it’s a gift. But eventually it becomes groupthink, and the “ties that bind” must be loosened—sometimes broken. In order to find our true self, we have to step away from all the groups that have defined us since birth. Murray Bowen called this “self-differentiation.” I devote a whole chapter (Leaving Home) to the important work of separating from our family of origin, which turns out not to be a rejection of home but the healthiest way to be an adult child. Further, I help the reader to separate from conventional notions of “being good” and from the whole construct of Heaven & Hell, which in its popular form keeps us trapped in the reward-and-punishment system of early-stage religion.

About the Author
David Robert Anderson is an Episcopal priest living in Darien, Connecticut. A graduate of the University of Chicago and Yale Divinity School, he is a frequent blogger and the author of Breakfast Epiphanies. David is married to Pam Anderson, a cookbook author and food blogger. They have two adult daughters.

Excerpt. © Reprinted by permission. All rights reserved.
Ariadne’s Thread
 
After a time, Christian reached the Wicket Gate, and over it was written, “Knock, and it shall be opened unto you.”—John Bunyan, The Pilgrim’s Progress
 
In the winter of my fortieth year I was sitting in a doctor’s office, squirming to get back to work. I was a very busy pastor, only there to get some meds for my strep throat and get back in the game.

A wise, old nurse popped a thermometer in my mouth. “Let me get your blood pressure,” she muttered. I took off my coat and rolled up my left sleeve. The cuff wheezed and crimped my bicep as I stared at the white wall. “What’s your usual blood pressure?” the nurse asked me. I didn’t know. I’d had my blood pressure taken for years; no one had ever given me a reading. “Well, it’s high,” she said. “150 over 102.” The numbers might as well have been a blowout NBA game. They meant nothing to me, but I could tell immediately that something was wrong.

“I want you to see the doctor, Reverend.”

My doctor was kind and upbeat, but after taking my pressure for himself, he had to deliver the news. This was nothing to flirt with. Hypertension was like plugging a 110-watt body into a 220 socket. “Leading cause of stroke.” He used words like “heart failure,” “aneurysm,” and “renal failure.” And my numbers were way over the top.
  
I went home with a prescription for Prinivil. The little blue pill brought my blood pressure down from the danger zone, but it was not the medicine for what really ailed me. What I most needed was to relax, stop working sixteen-hour days, pull back a bit on the throttle. But no doctor could script that, only I could. And I was not ready.

Things were going too well. The small church I had begun to lead four years before was now a rapidly growing congregation. Attendance was up. Giving was up. It was growing faster than I could manage, and we had called the first assistant clergy in the church’s 120-year history.

Every Sunday the ushers were setting up folding chairs in the aisles, and we knew we had to do something. We were planning a capital campaign to build a new church more than double the size, enlarge the parish hall, add Sunday school classrooms, and build a parking lot. A minister’s dreams are made of this stuff. I was a “success.” Over the next two years we completed the building plans and raised close to two million dollars. That spring we were lining up building permits and preparing to break ground in the fall. But it all went up in smoke.

At 10:00 p.m. on a Mother’s Day night the phone beside my bed rang. There was a fire at the church. I jumped into my jeans and then into the car. When I crested the hill on Route 263, still a mile from the church, the sky was all orange. I groaned as if someone had punched me in the belly.

That night, along with scores of parishioners who had heard the news, I stood on the porch of the house next door and watched it all burn down. The school, the parish hall with its leaded windows and wood-beamed ceilings, and finally the church, built of Pennsylvania fieldstone in 1876. It was all gone now—my life’s work. But it got worse. Two days later, federal ATF officials informed me that the fire had been deliberately set. This wasn’t just a terrible tragedy; it was a horrible, senseless crime. I fancied myself the victor, but I did not know how to be the victim. I was forty-two years old, approaching the pinnacle of my career, and someone with a gas can and a match had destroyed everything.

This was not what I deserved, not what I was promised. I was emotionally exhausted and spiritually pissed. In public, of course, I was strong and dependable. I preached about forgiving the arsonist. I told people God would only use this to make us better, stronger, more compassionate. But in my lonely moments I was foul, angry. The whole thing was a stupid outrage. A few months later my mother died, and that loss pushed me over the edge. I slid into depression.

The fire that night had been more than a church fire—it was a funeral pyre. What had gone up in tall columns of smoke were my sense of who I was, the sure promise of life, my reliable faith, my comforting hope—all of it gone. Well, most of it. At the peak of my life, when I expected to be strongest in faith, I was weakest. I was losing it. I thought I was finished.

I didn’t know it then, but what I thought was an end was in fact a beginning, and a promising one. Gradually, I realized that what was happening to me was universal. One way or another everyone comes to this pyre, loses the familiar old, and gropes for a way forward. That strange and remarkable passage is what I want to share in the pages ahead.

This is a book for people whose faith has failed them. It’s for people who used to believe. People who still pretend to believe, who are still teaching their kids to believe, still going to church. Or not. It is for people who have felt spiritually numb for years, their faith snuffed out with the candle of innocence.

This is a book for people who’ve walked to the front of a church to surrender their lives to God, maybe more than once. People whose prayers used to be answered (at least most of the time). People who have known Jesus in their hearts for years but wonder now whether he was only a figment of their childhood imagination. Their fixed theological views don’t seem so fixed anymore.

I write this for men and women who’ve lived long enough to hit a few brick walls. For some, I’ve discovered, that collision comes early. Maybe for you it was at university, or the early years of building a career or raising a family. Maybe a person or an event outside your control tipped you into the suffering years too soon—stole away your comfortable certitudes and left you to contemplate cold, hard reality long before your peers.

Or maybe this is you: You’ve got a job but haven’t made it to the top yet, and it’s pretty clear you’re never going to. You have a house; it used to be your “dream house,” but now the dream looks scuffed and slightly dated. You have a husband or a wife and children, but they all pretty much go their separate ways in the morning. Everyone’s stressed. Your marriage is on autopilot, and you’re too tired to have sex. You’ve worked hard, been responsible, saved for college. You took the kids to church until they started playing hockey and soccer on Sunday mornings. You believe in something eternal, but it seems a million miles from where you live. Any faith you had seems powerless before the problems you face and the questions that haunt you in the night. You’ve hit some crisis that calls into question the whole way you’ve been living your life. You need to slay a big dragon, and you know you’re going to need something more than your old go-to faith.

The paradox that crisscrosses adult faith is that all the liabilities of aging now become your chief assets. Only people who have faltered, lost a step, suffered and died a little are ready for the divine life that cannot be earned or grasped but can only be received as a gift. Right now, all you need to be in line for that gift is a willingness, like Noah, to sail away from the old world—recognize you can’t hold on to what’s passing away—and trust that God is leading you to a place you cannot yet envision. That’s why this first passage is the Good-Bye Gate.

But this is not a book to take away your faith. It is a tract that meets you down at the soul’s Lost Luggage counter, to show you how a renewed and deeper faith grows precisely through loss and disillusionment.

For twenty years as a pastor I’ve had a privileged role as a spiritual guide for men and women trying their best to live lives of faith, lives of depth and meaning. I’ve been there from birth to death and everything in between. There are always seasons of joy and triumph—Ilove those times, of course, but it’s no secret that these are not the spiritual hot spots. I’ve learned the hard way that moments of confusion and grief are.
When people are slogging through the Slough of Despond or enduring the Dark Night of the Soul, I’ve been invited to sit with them, listen, offer advice and support. Maybe they sought me out because they sensed that my being a pastor had not shielded me from the changes and chances of life.

I’ve found myself sitting with women who wanted another baby because they felt their lives had no purpose once their kids were all in school. With men at the peak of their powers who had been cashiered at work, who bounced like a pinball between rage, indignation, and depression. With couples facing a child’s autism or a teenager’s drug charges.

Their words echoed my own: “This is not what I expected.” “This isn’t right.” “How could this happen to me?”

Like most pastors or therapists, I look back now and wonder what I could possibly have said to these poor people when I was lost in the same maze with no idea, really, how to find the way home.

It’s been a few years. I’m in my midfifties now, and while I don’t claim to have arrived, I have learned a few things about this trek. Because I now speak and write about faith lost and found, more people ask me for guidance when they feel lost. If there’s even a little receptivity, I invite people to lean into the pain. What are the spiritual dimensions of this crisis? When you’re done fidgeting with the levers of the time machine and it’s clear there’s no going back, what are you going to do? What if failure, disruption, and endless changes are part of the divine plan? What if the life you’re trying desperately to turn around is in fact dragging you assward through the knothole of glory? What if the mess you’re trying to clean up is actually God’s masterpiece of nonrepresentational art, bricolaged from all the adventures and ordeals of your life? (And yes, that red is blood.)

Over the years I’ve worked with many people who have lost their old faith—sometimes in heartbreaking ways—and finally found their souls. Almost all of them got pushed into this backhanded blessing. They didn’t get there by being especially good or virtuous. They fell. They got fired. They got sick, or someone they love got sick. They drank themselves into some abyss. They lost a lot of money. The sheriff served them with papers.

For others the fall is more like a long slide. The career plateaus, the children fail to turn out well, collagen dissolves, a herniated disk cripples the signature golf swing. The golden boy fades to brass, and the prom queen falls from grace. It’s a gradual descent, but the effect is the same. They’re lost. Everything they believed in, the landmarks they steered by, are gone. After that they have to find a new way to live, but how do they do that? Nearly everyone is clueless. Actually, it’s worse than that.

Let me explain.

For most people, the eclipse of an old life presents only one challenge: how to get it back. If you come to me or to a therapist, you’re looking for help in fixing what’s broken, solving the problem, and getting life back to normal. That’s a legitimate response in our youth. But those of us who’ve passed the meridian of life need a push.

Can you locate your soul at the bottom of this morass? If the old version of you doesn’t work anymore, who are you really? If success has failed you, what actually brings happiness and fulfillment? If what you thought was ultimate turns out to be transient, what’s truly eternal? If the poles of your world have been reversed, and the way up is the way down, where do you even start?

Instinctively, many people turn to their faith. And what they dredge up is a huge disappointment. It’s usually some relic of adolescence or the ascendant years of early adulthood. Some people gave up on religion and faith soon after those early years. Others have beenmore or less faithful and still end up completely bollixed.
  
Early-stage faith is always about polishing the apple for God’s desk. It’s all about achievement—religious or spiritual performance (being good, helping others, qualifying for heaven), but achievement all the same—which is why it fits perfectly with the first half of life but becomes a serious liability in the second. When you need something to access the realm of mystery and inner power, you reach for your faith and come up with a memory box filled with old beliefs, bromides, rules, and rituals. There’s nothing exactly wrong with any of it, except that now it seems antique, sentimental, useless.
  
Plenty of people have sat in my office, or in the coffee shop where I meet most seekers, and opened that old box. Some feel helpless, others embarrassed. This is when I have to deliver the news: as painful as it is to file for spiritual bankruptcy, it’s just the ticket. Adult faith begins with a great big ugly death. You move through this first passage, the Good-Bye Gate. Have a good cry and let’s move on.
  
“Wait just a blessed minute!” comes the retort. “Where do I go from here? How do I go from here? If spirituality isn’t about being good or doing the right things, if it can’t protect me from pain and loss, improve my life, and help me solve my problems, what’s the point?”
 
A suspicious look often follows. “Since I was a kid, people like you—pastors, priests, people in collars and robes—have been telling me that religion is all about being a better person, accepting Jesus, believing the Bible. If I believed in God and tried to be the sort of person God wanted me to be, I’d be happy in this life and find heaven
in the next.” They don’t usually finish the thought, but the look says:
“So where do you come off telling me it’s all bunkum?”
  
How do you tell people that everything they’ve ever believed is important, necessary and—now—behind them? I have often wished I could reach for a guidebook, a map of the soul, to give to people sitting there so lost.

Two summers ago my wife, Pam, and I went hiking in Vermont. We bought a book that detailed scores of beautiful trails in the area and then laced up our boots. We started with the easiest paths, but after the first week we were physically ready for steeper, more rugged climbs. What was not quite so ready was our sense of orientation. The
more challenging trails were hardly worn, far less traveled, often obscured by undergrowth. Unlike on the comfy paths, we found no friendly printed signs with arrows. All we had were the trail map and infrequent blazes. Many blazes were weathered and disappeared into the mottle of tree bark. You could get lost, and we did.
  
Once we wandered so far off the trail that we ended up in the backyard of a small cottage on the edge of the woods. A helpful woman showed us how to get back to the trail. We learned on those advanced hikes how to internalize the directions and landmarks from the trail map. We developed an eye for blazes and a sense of the intervals between them—when to expect the next one.
  
That’s what I want to give people who are lost midfaith—a simple map with directions for exactly this section of the trail, detailing major landmarks and tricky turns you’re certain to miss without help. No one gave me that map. I was a minister, and yet I wasn’t prepared when my steadfast faith buckled beneath me. Half the stuff I had been peddling from the pulpit was true in theory, but I didn’t really know what it meant.
  
When Jesus said, “For those who want to save their life will lose it, and those who lose their life for my sake will find it,” I pretended to get it, but I didn’t—not really. Other, less circumspect people lost things, not me. Especially not my life. But after the turbulent years of my early forties, I sensed that my life had somehow gone lost (even if I hadn’t set out to lose it), and I had to know the secret of those cryptic words.
  
I picked up a few books on the stages of faith development and was heartened to discover that my predicament was universal. As psychologist James Hillman says, “A symptom suffers most when it doesn’t know where it belongs.” I wasn’t alone. What was happening to me was part of a predictable pattern of human development. Knowing that universal pattern is like having a map of your life—with an Xthat says, “You are here.”
  
Of all the books I read on the topic, the one that changed my outlook was James Fowler’s classic Stages of Faith: The Psychology of Human Development and the Quest for Meaning. I was fascinated by the progression of every stage, from infancy to childhood, from adolescence to the many incarnations of adulthood. But what “spoke to my condition,” as the Quakers say, was the midlife breakdown that happened like clockwork. In the lifelong progression of faith, this was the big megillah—and I was in it. What I was experiencing was a systemic collapse. If what I was reading was true, however, it wasn’t my fault. In good time, it happens to everybody. Every human being is equipped from birth with an operating system. It’s the basic system that tells you who you are, how to behave, what is good and true and beautiful, how to be a success, how to be happy. No one ever says, “Pardon me while I transfer a few files into
your operating system.” You’re not even aware the system exists. It runs in the background and makes everything else possible, but no one mentions it, just as no one says, “Now I am breathing,” or “Now my cerebral cortex is engaging.” This operating system serves most of us very well in our early, formative years.
  
The problem is, this software has a fatal virus. It is programmed to guide us to our peak powers and then to crash. At some point in our lives, what has always worked doesn’t anymore. It is as if a curtain is pulled back, and what was always just whirring quietly in the background is now revealed. It is a system. And it’s broken. We call it Convention. The beautiful irony is, it cannot be named or even seen until it crashes.
  
That’s where I was at forty. Maybe that’s where you are now at twenty-eight or forty or sixty-two. Improbably, this turns out to be the golden moment.

According to Fowler and the many other prophets of human development, recognizing the pervasive power of that conventional system is key to spiritual growth. We have to recognize it, escape it, transcend it. That is the task of maturity. There are stages before and stages after, but this is the big one.
  
In earlier years, the transitions flow almost naturally. But getting beyond Convention is like escaping the hideous tractor beam in Star Trek. For that we need help.
 
As I came to understand this, whenever I looked at the adults in my congregation—not to mention my friends, my colleagues, the characters in nearly every book and movie—I found myself concluding, “They’re all stuck in Convention.” I saw a lot of pain and confusion, a lot of resentment and bitterness. Some tried to keep up religious
appearances with a disciplined program of denial; others went cool and cynical. Some were still clinging to the beautiful memories of past faith, which can sometimes be relived but with weaker and weaker claims to reality. If I could help people recognize what was happening— translate the psychological and theological into the terms of everyday life—I might be able to help people escape the conventional trap and find the path to redemption and happiness.
  
Here I offer six passages that lead the way out of the old, dying form of your faith and into what is new, mysterious, and alive. Beginning with the Good-Bye Gate—the moment when conventional faith breaks down—these passages are designed to lead you through what is often a confusing labyrinth. This ancient myth may help to illumine the path.
  
When Theseus volunteers to kill the Minotaur, and so spare the poor Athenian children who will otherwise be fed to this awful beast, he has two problems: killing the half-bull half-man (no small task), and finding his way back. The Minotaur crouches at the center of a vast maze on the isle of Crete. Even if Theseus can find his way to the center of the maze and manage to slay the beast, he will not be able to find his way out. It is Ariadne who comes to Theseus’s aid. She gives him a ball of thread, which he ties to the entrance door and unwinds as he twists his way to the center. After dispatching the Minotaur, he follows the thread and winds his way out of the labyrinth.
  
That is what I have set out to do here. The six passages of this book require something like Ariadne’s thread. These are the natural pathways of the soul, six passages every man and woman must make on the way to a mature, adult soul. Yet they lead through confusing and difficult terrain, where the road home is counterintuitive: the right way is often the one that appears wrong. You need a lead to follow. 
  
Like the Cretan labyrinth, these six passages are not a linear progression. Different people will make these moves in different orders; nevertheless, each passage is threaded to another. Finding your way through one opening gives you the wisdom to choose well at the next intersection. What you learn in one passage will help you take other important steps along the way.
  
Negotiating each passage requires a level of honesty, courage, and trust available only to those who have come to the end of themselves—and then found a small opening, a light, and a way forward.
 
That is why this whole endeavor is cloaked in paradox: our losses turn out to be necessary—and as such, gifts. It’s not easy to acknowledge defeat, the end of our best-laid plans, but we are never given a new life until we have released the old one. That pattern of losing-to-find, emptying-to-be-filled, dying-to-be-reborn is the promise that sings through every passage, along every mile of this pilgrimage.
  
I hope you’ll think of me as your Ariadne, offering you a skein of thread, a slender guiding strand, a filament of hope that enables you to turn a corner and keep going when everything in your head is crying, “Go back!”
  
This ball I hold is woven of many strands. Years of my own experience and that of the men and women I’ve counseled, together with threads of Merton and Jung, Oliver and Eliot and Dillard. Stories of faith, hope, and love that others have told me along the way, tales of losses that became precious, endings that birthed beginnings. I’ve collected them like bits of string, woven them together and wound them one by one over the years. They are what inspire and delight me, the only things that keep me going.
  
Here, take this thread. You’ll need it for the passage that awaits.

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13 of 14 people found the following review helpful.
running the beach blind
By Michael
If I had to summarize this book, I would simply direct the reader to two pages, where the author tells the story of running on the beach(chapter 16, pages 182-183). He is off for a morning run and the sand is hard, the wind is brisk and the people in the distance are the size of match sticks. And then the idea comes to him: close your eyes--and keep running. I'll let the author finish the tale but that story sums up the book for me.

Much of the failure in modern spiritual literature derives from its need to keep catechizing even though, for many readers, the old catechism is dead and our allegiance to anything dogmatic is also dead.

Anderson's genius is that he doesn't get caught up in this. He is a practicing Christian and a Christian minister, but he doesn't push the Christian faith. He doesn't preach. What he's doing is inviting us to go on a journey with him, going deeper into his own faith to find, along with those of other faiths, a more fundamental spiritual unity.

Call it the True Self, the Higher Self, or the Self-in-God--the attempt to define it too explicitly is part of the riddle Anderson is asking us to stop solving. On this journey, we are best led by a guide "who only has at heart your getting lost" to use a line from Robert Frost. David Anderson is that guide.

We are closer to salvation when we close our eyes, release the need for certainty and just run with the wind.

3 of 3 people found the following review helpful.
Trade Beauty for Ashes
By Angela Barthauer
Anderson's book gives great peace to those whose religious journey has not been the perfect picture they had imagined. Finding grace, joy and beauty from the ashes is a gift that only God can give. The only thing WE can do is to allow Him to work. Sometimes that is the hardest part. Anderson brings wonderful insight and deep wisdom from his own journey toward a mature, all-encompassing faith.
I would briefly caution most evangelical Christians that you will find Anderson's theology more liberal than to what you may be accustomed. Please do not let that stop you from reading a beautiful rendering of the spiritual life that God alone calls to each of us.

1 of 1 people found the following review helpful.
The Gift of the Midlife Crisis
By Paula Greene
The midlife breakdown happens like clockwork. A systemic collapse. I never thought it would really happen to me. My faith in Christ was rock solid, could never be shaken. I knew the Bible inside and out, and felt like I knew God the same way. I had been face-to-face with grief, suffering, and evil I had been disappointed, treated unjustly, and peed on by people whose acceptance and affirmation I craved. I thought I understood why God allows suffering and evil and how he transforms us into a Christ-like image of Him.

And then one day, five months ago, the impossible happened. My belief left me. I had believed in some invisible world and a God who watched over me – and I went along with all this nonsense that turned out to be a hoax. The things I learned (and taught) in Sunday school were stupid. My whole life had been built on lies. It was like looking in the mirror and seeing a silly costume on me and asking, “who picked this out for me?”(Anderson helped me articulate this feeling in his book).

The fourth month into my spiritual/identity crisis, I picked up this book and opened up a whole new world. Anderson helped me to begin to make sense of all this. His own journey resonated with me. He explained the stages of faith, how the midlife crisis is a gift in that it dethrones the pretender self and welcomes the ascent of the real self. As we start to separate from the worn-out system, we discover we can take charge of our own lives, let go of the “you should’s”. We step out, stand apart, and plant our flag, uncovering what is inside and not creating something externally anymore.

Anderson explains that as we do the early work of separation, firming up the core of our being, we find we are no longer dependent on other people to change so that we can be free. We no longer depend on other people to be less depressing or judgmental so that we can be happy. We no longer depend on them to act like mature adults so we can too.

If your faith has failed you at some point in life, if you used to believe, or if you are pretending to believe and going through the motions, if you feel like your faith has been snuffed out by evil or suffering after a life surrendered to God, then I would recommend David Anderson’s book. He will not lead you to evangelical or even Christian conclusions. The journey is yours. Like me, you may not agree with everything he says. But he will help you articulate the journey, make sense of it, and lead you through the stages of doubt and re-discovery, pointing you toward where you are headed. He will help you change your crisis into a journey. (Thank you Blogging for Books and Convergent Publishing for providing me a complimentary copy of this book in exchange for my honest review.)

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> Ebook Bestemmings (Afrikaans Edition), by Marita van der Vyver

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Bestemmings (Afrikaans Edition), by Marita van der Vyver

Bestemmings bekoor met sprankelende, sexy stories. Ontmoet dié minsame karakters en swerf saam op hulle avontuurlike reise.Die smulpaapvakansie van ’n leeftyd verander in ’n nagmerrie toe Louise Tredoux snap dat sy nou waaragtig aan die verkeerde kant van veertig beland het. Want vir dié reis sou sy tog ’n mansvriend verkies. Nie noodwendig ’n bedmaat nie, sy sou tevrede wees met bloot ’n tafelmaat. Maar op vyf en veertig lê sy stoksielalleen in ’n hotelkamer in Avignon wat soos ’n foto in ’n glanstydskrif lyk. Sy stry teen ’n verterende verlatenheid terwyl sy soos ’n rolprentster op beroemde promenades wandel. Haar trane steek sy weg agter ’n byderwetse sonbril.Elke mens het ’n droomlandskap. Marlene s’n was nog altyd die hoë Toskaanse lug, blouer en wyer as haar man se oë wat haar nie meer kan troos nie. Hulle bestemming is ’n kothuis in Siëna waarheen hulle vir ‘n broodnodige gesinsvakansie vlug wanneer hul uitgekalwerde verhouding ernstige tekens van verval begin toon . . . Op haar sterfbed hunker Kathleen terug na haar jeug, na drie nagte van sensuele oorgawe vóórdat sy geskrik en voet in die wind geslaan het – terug na die veiligheid, verveligheid en voorspelbaarheid van haar huwelik met ’n man van min woorde.As Michelle se bagasie nie op pad na Frankryk weggeraak het nie, sou haar romantiese vakansie in Parys dalk anders verloop het. Nee, dink sy terwyl sy Johan se oë oor haar rug, haar boude en bene voel streel. Gretig versnel sy haar pas om onder sy waarderende blik uit te kom. Sy kan nie haar bagasie blameer nie. Dis net een van daai dinge.

  • Sales Rank: #1264557 in eBooks
  • Published on: 2012-05-10
  • Released on: 2012-05-10
  • Format: Kindle eBook

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  • Sales Rank: #2702030 in eBooks
  • Published on: 2011-04-01
  • Released on: 2011-04-01
  • Format: Kindle eBook

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* PDF Ebook The Annotated Northanger Abbey, by Jane Austen, David M. Shapard

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The Annotated Northanger Abbey, by Jane Austen, David M. Shapard

From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Northanger Abbey that makes her lighthearted satire of the gothic novel an even more satisfying read. Here is the complete text of the novel with more than 1,200 annotations on facing pages, including:
 
-Explanations of historical context
-Citations from Austen’s life, letters, and other writings
-Definitions and clarifications
-Literary comments and analysis
-Maps of places in the novel
-An introduction, bibliography, and detailed chronology of events
-225 informative illustrations
 
Filled with fascinating details about the characters’ clothing, furniture, and carriages, and illuminating background information on everything from the vogue for all things medieval to the opportunities for socializing in the popular resort town of Bath, David M. Shapard’s Annotated Northanger Abbey brings Austen’s world into richer focus.

  • Sales Rank: #180740 in eBooks
  • Published on: 2013-10-01
  • Released on: 2013-10-01
  • Format: Kindle eBook

About the Author
David Shapard is the author of The Annotated Pride and Prejudice, The Annotated Persuasion, The Annotated Sense and Sensibility, The Annotated Emma, and The Annotated Northanger Abbey. He graduated with a Ph.D. in European History from the University of California at Berkeley; his specialty was the eighteenth century. Since then he has taught at several colleges, and lives in upstate New York.

Excerpt. © Reprinted by permission. All rights reserved.
VOLUME ONE

Chapter One

No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard—and he had never been handsome. He had a considerable independence, besides two good livings—and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as any body might expect, she still lived on—lived to have six children more—to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features;—so much for her person;—and not less unpropitious for heroism seemed her mind. She was fond of all boys’ plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-­bird, or watering a rose-­bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief—at least so it was conjectured from her always preferring those which she was forbidden to take.—Such were her propensities—her abilities were quite as extraordinary. She never could learn or understand any thing before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the “Beggar’s Petition”; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid,—by no means; she learnt the fable of “The Hare and many Friends,” as quickly as any girl in ­En­gland. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinnet; so, at eight years old she began. She learnt a year, and could not bear it;—and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-­master was one of the happiest of Catherine’s life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother, or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another.—Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character!—for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper; was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.

Such was Catherine Morland at ten. At fifteen, appearances were mending; she began to curl her hair and long for balls; her complexion improved, her features were softened by plumpness and colour, her eyes gained more animation, and her figure more consequence. Her love of dirt gave way to an inclination for finery, and she grew clean as she grew smart; she had now the pleasure of sometimes hearing her father and mother remark on her personal improvement. “Catherine grows quite a good-­looking girl,—she is almost pretty to-­day,” were words which caught her ears now and then; and how welcome were the sounds! To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive.

Mrs. Morland was a very good woman, and wished to see her children every thing they ought to be; but her time was so much occupied in lying-­in and teaching the little ones, that her elder daughters were inevitably left to shift for themselves; and it was not very wonderful that Catherine, who had by nature nothing heroic about her, should prefer cricket, base ball, riding on horseback, and running about the country at the age of fourteen, to books—or at least books of information—for, provided that nothing like useful knowledge could be gained from them, provided they were all story and no reflection, she had never any objection to books at all. But from fifteen to seventeen she was in training for a heroine; she read all such works as heroines must read to supply their memories with those quotations which are so serviceable and so soothing in the vicissitudes of their eventful lives.

From Pope, she learnt to censure those who

“bear about the mockery of woe.”

From Gray, that

“Many a flower is born to blush unseen,

“And waste its fragrance on the desert air.”

From Thompson, that

——“It is a delightful task

“To teach the young idea how to shoot.”

And from Shakespeare she gained a great store of information—amongst the rest, that

——“Trifles light as air,

“Are, to the jealous, confirmation strong,

“As proofs of Holy Writ.”

That

“The poor beetle, which we tread upon,

“In corporal sufferance feels a pang as great

“As when a giant dies.”

And that a young woman in love always looks

——“like Patience on a monument

“Smiling at Grief.”

So far her improvement was sufficient—and in many other points she came on exceedingly well; for though she could not write sonnets, she brought herself to read them; and though there seemed no chance of her throwing a whole party into raptures by a prelude on the pianoforte, of her own composition, she could listen to other people’s performance with very little fatigue. Her greatest deficiency was in the pencil—she had no notion of drawing—not enough even to attempt a sketch of her lover’s profile, that she might be detected in the design. There she fell miserably short of the true heroic height. At present she did not know her own poverty, for she had no lover to portray. She had reached the age of seventeen, without having seen one amiable youth who could call forth her sensibility; without having inspired one real passion, and without having excited even any admiration but what was very moderate and very transient. This was strange indeed! But strange things may be generally accounted for if their cause be fairly searched out. There was not one lord in the neighbourhood; no—not even a baronet. There was not one family among their acquaintance who had reared and supported a boy accidentally found at their door—not one young man whose origin was unknown. Her father had no ward, and the squire of the parish no children.

But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.

Mr. Allen, who owned the chief of the property about Fullerton, the village in Wiltshire where the Morlands lived, was ordered to Bath for the benefit of a gouty constitution;—and his lady, a good-­humoured woman, fond of Miss Morland, and probably aware that if adventures will not befall a young lady in her own village, she must seek them abroad, invited her to go with them. Mr. and Mrs. Morland were all compliance, and Catherine all happiness.

Chapter Two

In addition to what has been already said of Catherine Morland’s personal and mental endowments, when about to be launched into all the difficulties and dangers of a six weeks’ residence in Bath, it may be stated, for the reader’s more certain information, lest the following pages should otherwise fail of giving any idea of what her character is meant to be; that her heart was affectionate, her disposition cheerful and open, without conceit or affectation of any kind—her manners just removed from the awkwardness and shyness of a girl; her person pleasing, and, when in good looks, pretty—and her mind about as ignorant and uninformed as the female mind at seventeen usually is.

When the hour of departure drew near, the maternal anxiety of Mrs. Morland will be naturally supposed to be most severe. A thousand alarming presentiments of evil to her beloved Catherine from this terrific separation must oppress her heart with sadness, and drown her in tears for the last day or two of their being together; and advice of the most important and applicable nature must of course flow from her wise lips in their parting conference in her closet. Cautions against the violence of such noblemen and baronets as delight in forcing young ladies away to some remote farmhouse, must, at such a moment, relieve the fullness of her heart. Who would not think so? But Mrs. Morland knew so little of lords and baronets, that she entertained no notion of their general mischievousness, and was wholly unsuspicious of danger to her daughter from their machinations. Her cautions were confined to the following points. “I beg, Catherine, you will always wrap yourself up very...

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12 of 12 people found the following review helpful.
Takes Northanger Abbey from "meh" to "pretty darn enjoyable"
By Amazon Customer
Jane Austen is my favorite author. I've read all her books more than once. But unlike her other books, which provoked strong feelings, both pro and con, Northanger Abbey was just. . . there. I didn't have any strong opinions on it one way or another. I always suspected that a huge part of the problem was I didn't know enough about what she was parodying to "get" it. And I was right. David Shapard, in yet another excellent Jane Austen annotation, provides all the background information on Gothic fiction you need to understand NA, without weighing down the book. Northanger Abbey won't ever be my favorite Jane Austen (the heroine is a bit too naive, even if her naivete is understandable, and the hero is a bit too perfect), but this annotation has led to a greater appreciation and enjoyment of it. I feel like I finally get it.

11 of 12 people found the following review helpful.
Review: The Annotated Northanger Abbey
By Sean Meade
Northanger Abbey (NA) falls outside of what I consider to be Jane Austen's Big Four novels (for the mixture of their quality and the enjoyment I get from them): Pride and Prejudice, Persuasion, Emma and Sense and Sensibility. However, having taken on writing this review, I am grateful for the opportunity to re-read NA after more than 20 years. Though much of it is very silly (intentionally so on the author's part), Austen's clever humor shines through, making re-reading worthwhile.

However, there is really no call for me to review NA as a novel. That is well-covered territory. What could be valuable is a review of David Shapard's annotations in this new edition. Perhaps the first thing to say is that there are many annotations. As the publisher's description describes it, the complete text of the novel is bound with 'more than 1,200 annotations on facing pages'. In fact, I concluded early on that if I had read all of the annotations, I would never have had time to complete the book, much less this review.

Among the annotations are:
-Explanations of historical context
-Citations from Austen's life, letters, and other writings
-Definitions and clarifications
-Literary comments and analysis
-Maps of places in the novel
-An introduction, bibliography, and detailed chronology of events
-225 informative illustrations

I found many of the annotations helpful or interesting. Many of them I flew right by. Some of the 'definitions and clarifications', especially, are very minute, bordering on the obvious. That's okay; they could be useful for some readers. Next in order of usefulness were the 'explanations of historical context' and 'literary comments and analysis'. Again, some were fairly obvious, while others provided new information. Confession: I found myself reading some of the 'literary analysis' just for the fun of thinking more about the characters.

Mostly I enjoyed the maps and many of the illustrations. I particularly liked the floor plans and architectural pictures that helped to give a better sense of the setting, especially Bath which, unfortunately, I have not visited. There were more illustrations of style of dress than I cared for, but, again, they would certainly be enjoyed by some people, to say nothing of the comparative importance of clothing in Austen's novels. The editor included many caricatures from the period that didn't do much for me.

The chronology of events could be helpful to some people. The pages-long bibliography certainly looked exhaustive from my standpoint. The introduction was okay, but uncritical of Austen in any way, further strengthening my sense of the target audience of The Annotated NA.

I think the people who would most enjoy this book and want to own it are Austen fans who are true period devotees. For those of us who are simply Austen fans, borrowing or owning the novel by itself would probably suffice. That said, this series of editions of Austen's books by Shapard would be very valuable additions to the collection of any public or academic library. They would be especially useful for people who want to read Austen with understanding but feel a little in over their heads. It is certainly easy to imagine many high school book reports being improved if the student had access to the appropriate one of these books.

3 of 3 people found the following review helpful.
Perfect introduction to JA and the time period...
By Brittany Woods
I first read Northanger Abbey years ago for a college course in which we explored the Gothic novel. My professor focused heavily on the satire Austen used to flesh out the story and I was drawn even further into my Austen obsession as a result. I think that without the knowledge of the time period necessary to grasp Austen's intent, Northanger Abbey would be a slightly unfulfilling story for some readers. Without revealing too much about the major plot twists, the resolution of the story might seem anti-climatic or rushed. Despite my knowledge of and appreciation for the time period, David M. Shapard provides such a well-rounded and expanded Northanger Abbey experience, that I put this novel down knowing so much more than I did before reading it. He touches on so many facts within the story that allow readers to engage in the rich history of the time and appreciate the story even more. Be sure to read the intro, too, as it sets the tone for his annotations perfectly. I wish I'd had this edition as a tool when I first read Northanger Abbey in class! I would have understood and appreciated the novel so much more.

For any Austenite or fan of Austen trivia, this story is a must read. Shapard includes so many fascinating facts about Jane the person rather than the author - including her favorite book, likes and dislikes, and frequent conversations about society and the like with family and close friends. He also draws attention to all of Austen's references to other popular novels of the time as well as her reactions to each one. It's piqued my interest to read them all to see how I'll react to the stories in my own right.

I really enjoy the story of Northanger Abbey because, like all of Jane's works, it presents a character I can relate to in some way or another. Anyone who has ever struggled to find themselves or their place will understand our "heroine" ;) Catherine Moreland and root for her to find success and happiness. Henry Tilney is exactly what I want in a partner as he teaches Catherine and helps her to grow without judging her or criticizing her for having things to learn. Their story is an interesting coming of age tale about learning to move past the failings of others - even those we love - and strike out on our own paths. The excitement and intrigue of Austen's Gothic elements - even if largely done in jest - keep you turning page after page. And, like all of Austen's novels, it's all in the ending!

Shapard has created a great tool for educators, Austenites, or any great book lover. I can't wait to get my hands on his other annotated works! He is, by far, one of the prominent Austen scholars of our time. Without a doubt, don't miss this one!

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