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The Annotated Northanger Abbey, by Jane Austen, David M. Shapard
PDF Ebook The Annotated Northanger Abbey, by Jane Austen, David M. Shapard
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From the editor of the popular Annotated Pride and Prejudice comes an annotated edition of Jane Austen’s Northanger Abbey that makes her lighthearted satire of the gothic novel an even more satisfying read. Here is the complete text of the novel with more than 1,200 annotations on facing pages, including:
-Explanations of historical context
-Citations from Austen’s life, letters, and other writings
-Definitions and clarifications
-Literary comments and analysis
-Maps of places in the novel
-An introduction, bibliography, and detailed chronology of events
-225 informative illustrations
Filled with fascinating details about the characters’ clothing, furniture, and carriages, and illuminating background information on everything from the vogue for all things medieval to the opportunities for socializing in the popular resort town of Bath, David M. Shapard’s Annotated Northanger Abbey brings Austen’s world into richer focus.
- Sales Rank: #180740 in eBooks
- Published on: 2013-10-01
- Released on: 2013-10-01
- Format: Kindle eBook
About the Author
David Shapard is the author of The Annotated Pride and Prejudice, The Annotated Persuasion, The Annotated Sense and Sensibility, The Annotated Emma, and The Annotated Northanger Abbey. He graduated with a Ph.D. in European History from the University of California at Berkeley; his specialty was the eighteenth century. Since then he has taught at several colleges, and lives in upstate New York.
Excerpt. © Reprinted by permission. All rights reserved.
VOLUME ONE
Chapter One
No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard—and he had never been handsome. He had a considerable independence, besides two good livings—and he was not in the least addicted to locking up his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as any body might expect, she still lived on—lived to have six children more—to see them growing up around her, and to enjoy excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine, for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and strong features;—so much for her person;—and not less unpropitious for heroism seemed her mind. She was fond of all boys’ plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse, feeding a canary-bird, or watering a rose-bush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was chiefly for the pleasure of mischief—at least so it was conjectured from her always preferring those which she was forbidden to take.—Such were her propensities—her abilities were quite as extraordinary. She never could learn or understand any thing before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid. Her mother was three months in teaching her only to repeat the “Beggar’s Petition”; and after all, her next sister, Sally, could say it better than she did. Not that Catherine was always stupid,—by no means; she learnt the fable of “The Hare and many Friends,” as quickly as any girl in England. Her mother wished her to learn music; and Catherine was sure she should like it, for she was very fond of tinkling the keys of the old forlorn spinnet; so, at eight years old she began. She learnt a year, and could not bear it;—and Mrs. Morland, who did not insist on her daughters being accomplished in spite of incapacity or distaste, allowed her to leave off. The day which dismissed the music-master was one of the happiest of Catherine’s life. Her taste for drawing was not superior; though whenever she could obtain the outside of a letter from her mother, or seize upon any other odd piece of paper, she did what she could in that way, by drawing houses and trees, hens and chickens, all very much like one another.—Writing and accounts she was taught by her father; French by her mother: her proficiency in either was not remarkable, and she shirked her lessons in both whenever she could. What a strange, unaccountable character!—for with all these symptoms of profligacy at ten years old, she had neither a bad heart nor a bad temper; was seldom stubborn, scarcely ever quarrelsome, and very kind to the little ones, with few interruptions of tyranny; she was moreover noisy and wild, hated confinement and cleanliness, and loved nothing so well in the world as rolling down the green slope at the back of the house.
Such was Catherine Morland at ten. At fifteen, appearances were mending; she began to curl her hair and long for balls; her complexion improved, her features were softened by plumpness and colour, her eyes gained more animation, and her figure more consequence. Her love of dirt gave way to an inclination for finery, and she grew clean as she grew smart; she had now the pleasure of sometimes hearing her father and mother remark on her personal improvement. “Catherine grows quite a good-looking girl,—she is almost pretty to-day,” were words which caught her ears now and then; and how welcome were the sounds! To look almost pretty, is an acquisition of higher delight to a girl who has been looking plain the first fifteen years of her life, than a beauty from her cradle can ever receive.
Mrs. Morland was a very good woman, and wished to see her children every thing they ought to be; but her time was so much occupied in lying-in and teaching the little ones, that her elder daughters were inevitably left to shift for themselves; and it was not very wonderful that Catherine, who had by nature nothing heroic about her, should prefer cricket, base ball, riding on horseback, and running about the country at the age of fourteen, to books—or at least books of information—for, provided that nothing like useful knowledge could be gained from them, provided they were all story and no reflection, she had never any objection to books at all. But from fifteen to seventeen she was in training for a heroine; she read all such works as heroines must read to supply their memories with those quotations which are so serviceable and so soothing in the vicissitudes of their eventful lives.
From Pope, she learnt to censure those who
“bear about the mockery of woe.”
From Gray, that
“Many a flower is born to blush unseen,
“And waste its fragrance on the desert air.”
From Thompson, that
——“It is a delightful task
“To teach the young idea how to shoot.”
And from Shakespeare she gained a great store of information—amongst the rest, that
——“Trifles light as air,
“Are, to the jealous, confirmation strong,
“As proofs of Holy Writ.”
That
“The poor beetle, which we tread upon,
“In corporal sufferance feels a pang as great
“As when a giant dies.”
And that a young woman in love always looks
——“like Patience on a monument
“Smiling at Grief.”
So far her improvement was sufficient—and in many other points she came on exceedingly well; for though she could not write sonnets, she brought herself to read them; and though there seemed no chance of her throwing a whole party into raptures by a prelude on the pianoforte, of her own composition, she could listen to other people’s performance with very little fatigue. Her greatest deficiency was in the pencil—she had no notion of drawing—not enough even to attempt a sketch of her lover’s profile, that she might be detected in the design. There she fell miserably short of the true heroic height. At present she did not know her own poverty, for she had no lover to portray. She had reached the age of seventeen, without having seen one amiable youth who could call forth her sensibility; without having inspired one real passion, and without having excited even any admiration but what was very moderate and very transient. This was strange indeed! But strange things may be generally accounted for if their cause be fairly searched out. There was not one lord in the neighbourhood; no—not even a baronet. There was not one family among their acquaintance who had reared and supported a boy accidentally found at their door—not one young man whose origin was unknown. Her father had no ward, and the squire of the parish no children.
But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way.
Mr. Allen, who owned the chief of the property about Fullerton, the village in Wiltshire where the Morlands lived, was ordered to Bath for the benefit of a gouty constitution;—and his lady, a good-humoured woman, fond of Miss Morland, and probably aware that if adventures will not befall a young lady in her own village, she must seek them abroad, invited her to go with them. Mr. and Mrs. Morland were all compliance, and Catherine all happiness.
Chapter Two
In addition to what has been already said of Catherine Morland’s personal and mental endowments, when about to be launched into all the difficulties and dangers of a six weeks’ residence in Bath, it may be stated, for the reader’s more certain information, lest the following pages should otherwise fail of giving any idea of what her character is meant to be; that her heart was affectionate, her disposition cheerful and open, without conceit or affectation of any kind—her manners just removed from the awkwardness and shyness of a girl; her person pleasing, and, when in good looks, pretty—and her mind about as ignorant and uninformed as the female mind at seventeen usually is.
When the hour of departure drew near, the maternal anxiety of Mrs. Morland will be naturally supposed to be most severe. A thousand alarming presentiments of evil to her beloved Catherine from this terrific separation must oppress her heart with sadness, and drown her in tears for the last day or two of their being together; and advice of the most important and applicable nature must of course flow from her wise lips in their parting conference in her closet. Cautions against the violence of such noblemen and baronets as delight in forcing young ladies away to some remote farmhouse, must, at such a moment, relieve the fullness of her heart. Who would not think so? But Mrs. Morland knew so little of lords and baronets, that she entertained no notion of their general mischievousness, and was wholly unsuspicious of danger to her daughter from their machinations. Her cautions were confined to the following points. “I beg, Catherine, you will always wrap yourself up very...
Most helpful customer reviews
12 of 12 people found the following review helpful.
Takes Northanger Abbey from "meh" to "pretty darn enjoyable"
By Amazon Customer
Jane Austen is my favorite author. I've read all her books more than once. But unlike her other books, which provoked strong feelings, both pro and con, Northanger Abbey was just. . . there. I didn't have any strong opinions on it one way or another. I always suspected that a huge part of the problem was I didn't know enough about what she was parodying to "get" it. And I was right. David Shapard, in yet another excellent Jane Austen annotation, provides all the background information on Gothic fiction you need to understand NA, without weighing down the book. Northanger Abbey won't ever be my favorite Jane Austen (the heroine is a bit too naive, even if her naivete is understandable, and the hero is a bit too perfect), but this annotation has led to a greater appreciation and enjoyment of it. I feel like I finally get it.
11 of 12 people found the following review helpful.
Review: The Annotated Northanger Abbey
By Sean Meade
Northanger Abbey (NA) falls outside of what I consider to be Jane Austen's Big Four novels (for the mixture of their quality and the enjoyment I get from them): Pride and Prejudice, Persuasion, Emma and Sense and Sensibility. However, having taken on writing this review, I am grateful for the opportunity to re-read NA after more than 20 years. Though much of it is very silly (intentionally so on the author's part), Austen's clever humor shines through, making re-reading worthwhile.
However, there is really no call for me to review NA as a novel. That is well-covered territory. What could be valuable is a review of David Shapard's annotations in this new edition. Perhaps the first thing to say is that there are many annotations. As the publisher's description describes it, the complete text of the novel is bound with 'more than 1,200 annotations on facing pages'. In fact, I concluded early on that if I had read all of the annotations, I would never have had time to complete the book, much less this review.
Among the annotations are:
-Explanations of historical context
-Citations from Austen's life, letters, and other writings
-Definitions and clarifications
-Literary comments and analysis
-Maps of places in the novel
-An introduction, bibliography, and detailed chronology of events
-225 informative illustrations
I found many of the annotations helpful or interesting. Many of them I flew right by. Some of the 'definitions and clarifications', especially, are very minute, bordering on the obvious. That's okay; they could be useful for some readers. Next in order of usefulness were the 'explanations of historical context' and 'literary comments and analysis'. Again, some were fairly obvious, while others provided new information. Confession: I found myself reading some of the 'literary analysis' just for the fun of thinking more about the characters.
Mostly I enjoyed the maps and many of the illustrations. I particularly liked the floor plans and architectural pictures that helped to give a better sense of the setting, especially Bath which, unfortunately, I have not visited. There were more illustrations of style of dress than I cared for, but, again, they would certainly be enjoyed by some people, to say nothing of the comparative importance of clothing in Austen's novels. The editor included many caricatures from the period that didn't do much for me.
The chronology of events could be helpful to some people. The pages-long bibliography certainly looked exhaustive from my standpoint. The introduction was okay, but uncritical of Austen in any way, further strengthening my sense of the target audience of The Annotated NA.
I think the people who would most enjoy this book and want to own it are Austen fans who are true period devotees. For those of us who are simply Austen fans, borrowing or owning the novel by itself would probably suffice. That said, this series of editions of Austen's books by Shapard would be very valuable additions to the collection of any public or academic library. They would be especially useful for people who want to read Austen with understanding but feel a little in over their heads. It is certainly easy to imagine many high school book reports being improved if the student had access to the appropriate one of these books.
3 of 3 people found the following review helpful.
Perfect introduction to JA and the time period...
By Brittany Woods
I first read Northanger Abbey years ago for a college course in which we explored the Gothic novel. My professor focused heavily on the satire Austen used to flesh out the story and I was drawn even further into my Austen obsession as a result. I think that without the knowledge of the time period necessary to grasp Austen's intent, Northanger Abbey would be a slightly unfulfilling story for some readers. Without revealing too much about the major plot twists, the resolution of the story might seem anti-climatic or rushed. Despite my knowledge of and appreciation for the time period, David M. Shapard provides such a well-rounded and expanded Northanger Abbey experience, that I put this novel down knowing so much more than I did before reading it. He touches on so many facts within the story that allow readers to engage in the rich history of the time and appreciate the story even more. Be sure to read the intro, too, as it sets the tone for his annotations perfectly. I wish I'd had this edition as a tool when I first read Northanger Abbey in class! I would have understood and appreciated the novel so much more.
For any Austenite or fan of Austen trivia, this story is a must read. Shapard includes so many fascinating facts about Jane the person rather than the author - including her favorite book, likes and dislikes, and frequent conversations about society and the like with family and close friends. He also draws attention to all of Austen's references to other popular novels of the time as well as her reactions to each one. It's piqued my interest to read them all to see how I'll react to the stories in my own right.
I really enjoy the story of Northanger Abbey because, like all of Jane's works, it presents a character I can relate to in some way or another. Anyone who has ever struggled to find themselves or their place will understand our "heroine" ;) Catherine Moreland and root for her to find success and happiness. Henry Tilney is exactly what I want in a partner as he teaches Catherine and helps her to grow without judging her or criticizing her for having things to learn. Their story is an interesting coming of age tale about learning to move past the failings of others - even those we love - and strike out on our own paths. The excitement and intrigue of Austen's Gothic elements - even if largely done in jest - keep you turning page after page. And, like all of Austen's novels, it's all in the ending!
Shapard has created a great tool for educators, Austenites, or any great book lover. I can't wait to get my hands on his other annotated works! He is, by far, one of the prominent Austen scholars of our time. Without a doubt, don't miss this one!
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