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But Where is the Lamb?: Imagining the Story of Abraham and Isaac, by James Goodman
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“I didn’t think he’d do it. I really didn’t think he would. I thought he’d say, whoa, hold on, wait a minute. We made a deal, remember, the land, the blessing, the nation, the descendants as numerous as the sands on the shore and the stars in the sky.”
So begins James Goodman’s original and urgent encounter with one of the most compelling and resonant stories ever told—God’s command to Abraham to sacrifice his son Isaac.
A mere nineteen lines in the book of Genesis, it rests at the heart of the history, literature, theology, and sacred rituals of Judaism, Christianity, and Islam. For more than two millennia, people throughout the world have grappled with the troubling questions about sacrifice, authority, obedience, and faith to which the story gives rise. Writing from the vantage of “a reader, a son, a Jew, a father, a skeptic, a historian, a lover of stories, and a writer,” Goodman gives us an enthralling narrative history that moves from its biblical origins to its place in the cultures and faiths of our time. He introduces us to the commentary of Second Temple sages, rabbis and priests of the late antiquity, and early Islamic exegetes (some of whom imagined that Ishmael was the nearly sacrificed son). He examines Syriac hymns (in which Sarah stars), Hebrew chronicles of the First Crusade (in which Isaac often dies), and medieval English mystery plays. He looks at the art of Europe’s golden age, the philosophy of Kant and Kierkegaard, and the panoply of twentieth-century interpretation, sacred and profane, including the work of Bob Dylan, Elie Wiesel, and A. B. Yehoshua. In illuminating how so many others have understood this story, Goodman tells a gripping and provocative story of his own.
- Sales Rank: #498032 in eBooks
- Published on: 2013-09-10
- Released on: 2013-09-10
- Format: Kindle eBook
Amazon.com Review
Amazon Guest Review of “But Where Is the Lamb?” by James Goodman
By Wendy Doniger
Wendy Doniger (O’Flaherty) has published over thirty books, including Śiva: The Erotic Ascetic; The Origins of Evil in Hindu Mythology; Dreams, Illusion, and Other Realities; Other Peoples’ Myths; The Bedtrick: Tales of Sex and Masquerade; The Woman Who Pretended to Be Who She Was; and The Hindus: An Alternative History.
James Goodman’s But Where Is the Lamb? is a great read from the very first line; I really could not put it down until other tasks forced me to take a break. The tone of voice is what hooked me; it’s like reading Biblical scholarship written in the voice of Holden Caulfield. Goodman asks precisely the questions that any thoughtful person would ask, starting with the question of the title, Isaac’s question, and a very good one it is, too: Hey, where is the lamb? The only piece of writing I know on this subject that even begins to compete with the down-to-earth approach of Goodman’s book is Woody Allen’s hilarious dialogue in Without Feathers (which Goodman quotes); but Woody’s language-joke there is that God uses King James English to say things that a New York Jew would say—“Doth thou listen to every crazy idea that comes thy way?”—whereas Goodman does just the opposite: he uses Sam Spade English to ask the same sort of straight questions, and to ask them of Biblical scholarship as well as of the Bible. The result is that the tone begins to feel like your own voice asking these questions, and the book invites you in to ask your own questions, too. It would make a wonderful book to teach with, opening up the sorts of questions that readers as young as Isaac might have had; and it’s also a great book to carry around and read wherever you are. I loved it.
Review
“This book makes you feel like a guest at a truly eclectic symposium on the meaning of the biblical story of the Binding of Isaac, featuring Jews, Muslims, and Christians; medieval and moderns; artists and novelists. It is amazing to see how 19 sentences of the biblical account have given birth to so many different interpretations, and one leaves this book with the sense that the discussion is not nearly over yet.” —Jewish Voice, A Selection of the Year’s Best Jewish Books
“Obviously fascinated by the story, Goodman demonstrates great prudence in not offering his explanation but in asserting that the story has many meanings. This refreshing restraint along with the author’s writing skills make his contribution an important addition to the libraries of commentaries about Abraham and Isaac that vainly strive to explain what is ultimately unfathomable.” —Publishers Weekly
“A fresh and exciting take on the different ways in which the Binding of Isaac has been understood down through the centuries, and also covers how we should understand it today. He writes as one who is both a son and a father, both a Jew and a person in search of meaning, and, above all, as a storyteller who is fascinated by this ancient tale, and who lets his imagination run free over what it meant and what it means….It is enough to say that this book is a must-read.” —Rabbi Jack Riemer, Jewish News Service
“Interesting. . . . A fast-moving account of a wide-ranging and deeply penetrating religious topic, and Goodman closes with an important reminder on how the subject of sacrifice for religious obedience is relevant to the contemporary issue of religious extremism. A well-researched and stirring account of how various communities, scholars and artists interpret the willingness to sacrifice life for God.” —Kirkus
“But where is the lamb? is a fascinating study that uses a single biblical tale as a lock-pick to turn all sorts of tumblers in the human mind and heart. I found it to be a quick read, which would be surprising except that a few years ago I read Goodman’s Scottsboro Stories and was thoroughly impressed with the elegant fluidity and crisp lucidity of his style as well as his gift for distilling mountains of historical documents into a few pages of cogent exposition.” —Vince Cyyz, ArtFuse
“Who knew that nineteen lines of Scripture could reverberate through the centuries with so many interpretations? James Goodman has written a fascinating book offering worlds of opinion on one of the toughest stories in the Bible—and best of all, he pulls no punches in offering his own conflicting opinions. Thoughtful, readable, historical and current.” —Rick Hamlin, author of 10 Prayers You Can’t Live Without
“Genesis 22 rivets: a terrible story of authority, faith, and reason. Moving effortlessly from Biblical time to our own, James Goodman offers an intense yet sparkling chronicle of intellectual, artistic, theological, and spiritual struggle.” —Sean Wilentz, Professor of History at Princeton University, author of The Rise of American Democracy and Bob Dylan in America
About the Author
James Goodman is a professor at Rutgers University, Newark, where he teaches history and creative writing. He is the author of two previous books, including Stories of Scottsboro, which was a finalist for the Pulitzer Prize.
Most helpful customer reviews
10 of 10 people found the following review helpful.
An ever-resounding story
By Poly Histor
Few stories are as morally terrifying as Abraham's ascent up mount Moriah with the unbidden task of sacrificing his beloved son Isaac. If you have any doubt then take a repeat look at Fear and Trembling, the Danish philosopher Søren Kierkegaard's mediation on this crux. In his beautiful new book, But Where is the Lamb?, James Goodman treats the Akedah (The Binding of Isaac) as just that--a story. And by considering it as a story he does not mean to raise questions about the facts of the incident, as if stories stood in opposition to some sort of truth, be it scientific, evangelical, archaeological, etc. Rather he examines how stories are told, how received, and the rich and complex messages they convey, which, contrary to the laws of information theory, are amplified and acquire further significance over time. The real pleasure of this book is the craft that goes into Goodman's recounting of what it means to read well (closely, carefully, inventively, indeed lovingly) and to tell the tale. Learned and accessible, poetic and precise, and altogether humane, But Where is the Lamb? does justice to its forbidding subject.
10 of 11 people found the following review helpful.
A guided tour to the perplexity which nineteen lines can sow.
By Harold C. Hirshman
James Goodman follows in the footsteps of Shalom Spiegel in showing how the simple story of the Akedah has provided over the millennia readings which seem to contradict the text and turn the story on its head. He goes well beyond in Spiegel in the scope of his examination of interpretations of this story. For those who believe the text controls Goodman shows how the motivated reteller can turn silences into speech and can point to lacuna in the story which can lead to a myriad of readings. This is a bravura work of exegesis done with a great deal of modesty. For anyone who is interested in the Bible, faith, the written word or intellectual and human history this volume is a must.
6 of 6 people found the following review helpful.
No Resolution, Rightly
By Doctor Moss
Goodman doesn't resolve the big questions about the story of Abraham and Isaac -- the questions about faith and morality. What he does is give us a long, historically-infused rumination on why the story matters so much to us, how we might attempt to resolve the questions it raises, and why none of those resolutions seems to be satisfactory.
He begins by placing himself in the position of the author of the story. The author doesn't like the story -- there's something not right about it. How could Abraham not have questioned God? How could he just take God's instruction and proceed to sacrifice his own only child -- the very child that God has promised to Abraham, the child through whom Abraham is to become the "father of many nations."
But the story is one of faith. If Abraham's faith is strong, he will do what God asks. If he questions God, his faith is wavering, and he will fail the test.
The author wants to revise the story. it doesn't feel right that Abraham doesn't question God's command, nor will it feel right if he does. But the story is written, and it's too late to revise it. It's already been incorporated into the "anthology".
The author's inability to tell the story as he thinks it should be told presages the difficulty others throughout history will have in understanding the story. On one side, we could say either that Abraham is right to obey God without question-- this is after all the word of God instructing him and faith demands obedience.
But isn't that a dangerous way to think about faith? Doesn't it seem that what God demands is wrong and that Abraham is wrong not to question it? And does the fact that God, in the end, stops Abraham change any of that? Does the story provide an affirmation of faith, or the threat of religious zealotry? Does it encourage us to toss away our own sense of right and wrong and trust only our religious convictions?
And what about God's own behavior? He tells Abraham to do something, and when Abraham obeys, God stops him. Where does that leave us in listening to the word of God? Does God mean what he says?
Goodman provides a great deal of historical context, some of the most interesting involving the role of sacrifice in the religions of Abraham's time. He gives significant space to the claim that what God is doing is in fact ending the practice of human sacrifice, that when God stops Abraham, he is stopping the practice itself for the nations that will follow from Abraham and Isaac.
He also does a good job of making us feel at gut level how unsatisfying hardline answers are -- either that faith is absolute and that Abraham did exactly as he should have, or that God's instruction to Abraham is unconscionable and that Abraham should have simply disobeyed (or that Abraham must have been in some sort of delusional state to think he was hearing God's word in the first place).
Goodman's rumination is edifying, not answering. What I think is great about the story of Abraham and Isaac is that it does pose such a difficult, maybe even unresolvable question about faith and morality.
But the fact that we can never be satisfied with any particular answer to the question doesn't mean that we don't have to take a stand on it. The book invites a dialog between the reader and Goodman, and I think it is successful to the extent that it raises the level of the reader's own understanding of the question and what hinges on how he answers it.
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