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JAMerica: The History of the Jam Band and Festival Scene, by Peter Conners
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The term “jam band” is used to categorize a type of music that favors improvisation and musicianship over concise riffs, hooks, and traditional songwriting structure. The term also helps define the fiercely dedicated fans of the music as accurately as it does the bands. Much as with the Grateful Dead—the progenitors of the jam band scene—the survival of the scene depends upon a symbiotic relationship with fans. Jam bands nurture a close relationship with their fans, fostered through constant touring and the mutual belief that each performance is a unique, shared event.
JAMerica tells the story of the roots, evolution, values, and passion of the jam band scene in the words of those who know it best. Modeling itself on such books as Edie: American Girl by George Plimpton and Jean Stein (an oral history of the life of Edie Sedgewick ) and Please Kill Me: The Uncensored Oral History of Punk by Legs McNeil and Gillian McCain, the book is an oral history of the jam band scene, integrating stories from such bands as the Grateful Dead, Phish, Widespread Panic, Dave Matthews Band, moe., Leftover Salmon, String Cheese Incident, Umphrey’s McGee, and dozens more. Interviews focus on the history of individual bands and how they communally shaped the larger jam band community, along with songwriting, relationships with fans, business models, and the importance (including the joys and war stories) of touring, including early gigs and venues (e.g. the Wetlands in New York City and the landmark H.O.R.D.E. Festival) that supported the emergence of the jam band scene.
- Sales Rank: #1080564 in eBooks
- Published on: 2013-08-27
- Released on: 2013-08-27
- Format: Kindle eBook
Review
Publishers Weekly, 8/5/13
"Conners has, by synthesizing these different ideas into a harmonious collection of quotations, musings, memories, and even e-mails from fans, created a literary work that captures on paper the collaborative, spontaneous, and uplifting nature of the jam band music."
Examiner.com, 8/26/2013
“Jamerica is a Behind the Music styled treatise devoted to American ‘jam’ music and its prolific purveyors. Author Peter Conners hits on all pertinent bands and festivals of the virtuosic neo-hippie movement, kicking up intriguing points like a patchouli-scented undergrad shoeing a Hacky Sack outside the student union…When strung together like Christmas lights, these insightful, entertaining tidbits and musical memories instill a sense that reader is amongst friends.”
Houston Press, August 2013
“A worthy account for jam fans”
Upstate Live (NY), 9/4/13
“JAMerica gives the reader first hand tales with little to no filter on them that shine a light on both the jam band scene and the music industry as a whole…. Peter Conners does an admirable job in giving this popular musical genre both a more tangible definition and the credit it so richly deserves in influencing a generation of bands and artists. ..JAMerica is the most complete work out there that attempts to tell the story of the jam band scene and how it has reached its current state of popularity.”
PopMatters.com, 9/10/13
“JAMerica skillfully assembles an oral history of America's jam bands…An entertaining read that’s thoughtfully assembled and inviting in its casualness.”
Blinded by Sound, 9/1/13
“There is a world of great music being made by these groups, and quite a scene to boot, JAMerica is a good place to start in getting to know just what is going on there.”
Rochester Democrat and Chronicle, 9/15/13
“JAMerica is well-researched and excellent reading.”
Library Journal, 10/15/13
“Readers interested in the history of the jam band scene from the musicians’ point of view would be most interested in this book…Conners’s goal is to gather the history of jam bands from the musicians, and that is achieved.”
Rochester Democrat Chronicle, 2/9/14
“Tells the story of the roots, evolution, values, and passion of the jam band scene in the words of those who knew it best.”
About the Author
Peter Conners book Growing Up Dead, about his teenage years as a Deadhead, established him as a vital new voice in American music and social history. Conners lives with his wife and three children in Rochester, New York.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Read it! Now! Excellent!!! Great book for music lovers!
By Todd Weiner
Excellent Book! Finally a book getting to the heart of the festival and music scene going on here in the USA over the past 20 or so years. If you love music, or like it at all, and have any interest in the current state of the music scene beyond the corporate music machine, then this is a must read. If you know a ton about this already, you will still learn something valuable here. This book takes the reader through a sociological timeline of what happened with the formative bands that created today's scene, within the context of a huge number of recent interviews with many of the genre's best performers and industry professionals. In a well debated way Peter Conners explains how the 'Jam' moniker actually came to be. Specifically, this genre of 'jamband' has evolved out of a necessity to distinguish exactly why this form of music really is different and so powerful. And he explains why it deserves it's own label (as occurred for jazz and even rock 'n roll) where a short label attempts to explain huge musical territory. Of course the 'jam' moniker falls short, but it does make for fascinating creative debate among the key players and the author shows why it's earned it's place in describing what's going on. JAMerica is also a very creative read, as the author utilizes some very innovative techniques in laying out the stories via his interviewees. Instead of laying out all the interviews by labeling each musician and bantering back and forth with questions and answer format, the author creates a conversation where it feels as if all of the folks involved are in the same room having a conversation. If you've ever experienced a jamband concert, you'll enjoy the parallel here: the way the book builds on structure within a form that feels improvised and every voice is heard clearly, and it just gets better and better as the show builds. WAY too many great artists to mention, but as a start some of my favorite amazing quotes and interviews were by the likes of Taj Mahal, Mickey Hart, Bill Kreutzmann, Perry Farrell, John Popper, David Graham, and Bela Fleck. Check it out!!
2 of 2 people found the following review helpful.
Maybe I'm biased, but this is great!!
By S. Robinson
What better way to understand the history and growth of the jam band scene than from the mouths of those who lived it, created it, and remember it. This book is the first I've ever seen to delve into all the various elements that wound up creating a "scene" that, at the time, didn't seem like it was actually going to be a scene. Not until in our collective rear view mirror did those events appear to meaningfully lead into what is now one of the biggest collective cash machines in touring rock and roll today. Peter Conners exhaustively interviewed dozens and dozens of the folks who were there at the beginning (and those who've come along since) to get the story from the horse's mouth. Great job Peter!!
The *only* thing that might catch readers is that the list of who's-who doesn't come until near the end of the book, so many readers may be confused as to who's talking. This is easily remedied by dog-earing the listing in the back and just using that as an index to go back to whenever you don't recognize the name of the interviewee.
1 of 1 people found the following review helpful.
Jam on it!
By Patrick Kavaney
Peter Conners new book JAMerica is a fascinating look at players and sequence of events that help galvanize one of the true music scenes in America. The overall chronological layout flows well set up with interviews with everyone from members of the Dead to lesser known players not quite on the radar. Being a Deadhead and a music fan in general has allowed Mr.Conners to get to the meat of the issues, debates and the state of the Jamunion. Honing in on some key events such as the death of Jerry Garcia and the inaugural H.O.R.D.E run provides great insight into 1st generation jam bands and beyond. As with any scene, there are plenty of opinions and depending on when and from which gopher hole you popped out of, perspective is everything. I especially enjoyed reading interviews with some of the newer and sometimes lesser known players to see where they're influences came from and how icons like Phish and the Dead have distilled down over time. I enjoyed the forward to the book very much and love all the interviews about the vast array of festivals as well. I can't recommend Mr.Conners work enough, whether you are a casual fan or hardcore there is quite a lot to take away.
Patrick Kavaney
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