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Subtle Bodies (Vintage International), by Norman Rush
Free PDF Subtle Bodies (Vintage International), by Norman Rush
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In his long-awaited new novel, Norman Rush, author of three immensely praised books set in Africa, including the best-selling classic and National Book Award-winner Mating, returns home, giving us a sophisticated, often comical, romp through the particular joys and tribulations of marriage, and the dilemmas of friendship, as a group of college friends reunites in upstate New York twenty-some years after graduation.
When Douglas, the ringleader of a clique of self-styled wits of “superior sensibility” dies suddenly, his four remaining friends are summoned to his luxe estate high in the Catskills to memorialize his life and mourn his passing. Responding to an obscure sense of emergency in the call, Ned, our hero, flies in from San Francisco (where he is the main organizer of a march against the impending Iraq war), pursued instantly by his furious wife, Nina: they’re at a critical point in their attempt to get Nina pregnant, and she’s ovulating! It is Nina who gives us a pointed, irreverent commentary as the friends begin to catch up with one another. She is not above poking fun at some of their past exploits and the things they held dear, and she’s particularly hard on the departed Douglas, who she thinks undervalued her Ned. Ned is trying manfully to discern what it was that made this clutch of souls his friends to begin with, before time, sex, work, and the brutal quirks of history shaped them into who they are now––and, simultaneously, to guess at what will come next.
Subtle Bodies is filled with unexpected, funny, telling aperçus, alongside a deeper, moving exploration of the meanings of life. A novel of humor, small pleasures, deep emotions. A novel to enjoy and to ponder.
This ebook edition includes a Reading Group Guide.
- Sales Rank: #330484 in eBooks
- Published on: 2013-09-10
- Released on: 2013-09-10
- Format: Kindle eBook
From Booklist
Ned and Nina are working hard to get pregnant. But when Ned suddenly flies across the country to attend the funeral of college friend Douglas, Nina follows in hot pursuit. When she finally catches up with him, Nina finds her husband holed up in Douglas’ upstate New York compound, surrounded by his former NYU roommates, instantly immersed in the rivalries and politics of their student days. Nina’s role as an outsider gives her a unique perspective on the group as she watches them grapple with the death of their revered Douglas and attempt to reappraise their lives, relationships, and futures through the clarifying lens of the passage of time. Rush, author of the National Book Award–winning Mating (1991), has written a quiet, contemplative novel, bringing together a group of people whose pasts and presents have suddenly come face-to-face as they struggle to make sense of their personal histories. Subtle Bodies is a funny, deeply satisfying look at friendships—why we make them, why we keep them, and how they change us over time. --Carol Gladstein
From Bookforum
Though Subtle Bodies tunnels in various directions, including toward a meditation on the enigma of male friendship, here again the marital banner flies strong from the novel’s first pages, its first syllables. In Subtle Bodies, as in so much of his work, confronting the world returns Rush to his central question: What matters, in the end? That we do what we can, is the author’s refrain. Even if all we can do— all any two people can do—is form a country of our own, whose flag is love. —Michelle Orange
Review
“Rush is the best kind of comic novelist.” —The New York Times Book Review
“A portrait of that notoriously elusive thing, a genuinely happy couple. . . . The book glows with their intimate joy: their private jokes, their sexual teasing, their deep loyalty.” —The Wall Street Journal
“Rush’s characters want to fall in love, to laugh and enjoy themselves. Their quirks, opinions, compulsions . . . keep us engrossed—along with the clarity and precision of Rush’s sentences, the freshness of his observations.” —Francine Prose, The New York Review of Books
“Fans of Rush’s previous opuses will recognize the witty wordplay and intense, erotic eloquence. . . . But even the uninitiated will appreciate the brilliance of Rush’s clear and comedic characterization that causes this meditation on death and masculinity to crackle with energy and mirth.” —Interview Magazine
“Playfully erotic, hopelessly addictive.” —Vogue
“A funny, deeply satisfying look at friendships—why we make them, why we keep them, and how they change us over time.” —Booklist
“Rush’s protagonists tend to speak to each other . . . with formidable intelligence and eloquence, but it’s their linguistic inventiveness that is key to Rush’s remarkably convincing portrayals of enduring romantic love.”—New Yorker.com
“Rarely does one get from a male novelist a female character as lovingly—but unsentimentally—portrayed as Nina. . . . Subtle Bodies is black humor with a female face.” —The Daily Beast
“To a straight woman, the phenomenon of inter-male friendship possesses a certain anthropological interest. . . . So imagine this reader’s delight upon hearing that it’s this very mystery into which Norman Rush delves in Subtle Bodies, and that—hosanna, as one of his characters puts it—he’s given us a female perspective, too.” —The Los Angeles Review of Books
“Rush attends so closely to his characters—their thoughts, words, beliefs, relationships—and landscapes—physical, social, political—that he brings them utterly alive, with often-exhilarating aptitude and insight.” —The Boston Globe
“Rush may be America’s last living maximalist author. In two bulky, Africa-set novels, Mating and Mortals, he astutely explored themes of courtship, outsiderdom and herd mentality. . . . At barely half the length, his Subtle Bodies isn’t a slighter work. But compressed as it is, Rush’s storytelling feels more allegorical, its humor more pointed.” —Minneapolis Star Tribune
“Rush’s defining gift might be his incredible awareness—about politics, about human nature, about the world—which he bestows upon his characters. . . . It makes the reader’s lens of the world a little clearer, a little sharper. If you’ve never read Rush. . . . Subtle Bodies is a more than fine place to begin.” —The Oregonian
“Full of the kinds of perception that skew the world around you and force you to see it differently.” —Baltimore Sun
“The book’s appeal lies in its complex characters, its slow-burn tension and its keen observations.” —Richmond Post-Dispatch
“This book abounds in wit, particularly in its exploration of Ned and Nina’s marriage. . . . His skill at revealing our interior lives is undiminished [and] his concerns with our carnal and intellectual lives remain pleasurably, provocatively intact." —Kirkus, Starred review
“The verbal play and digressions one might expect from Rush, author of the major works Mating and Mortals, but briefer and more accessible. Readers will be immediately drawn into the acutely rendered world swirling around Ned and Nina.” —Library Journal
“Timely. . . . Beautifully rendered. Just the kind of novel dedicated novel readers are always searching for.” —Hudson Valley News
Most helpful customer reviews
20 of 21 people found the following review helpful.
Funny and fill-in-the-blanks
By T. Hayes
Subtle Bodies is a radical and deliberate departure for Rush, and a welcome one for this reader. For one, it is very cinematic; it is easy to see SB as a screenplay, as a movie. Secondly, Rush does not flesh out the main characters as he did for us in his previous two novels. He leaves it to us to reckon with his characters on our own terms, leaves it to us to fill-in-the-blanks both in the characters' lives and in our relationship with them, as we ask ourselves how the characters (or ourselves) ended up the way they did. Third, it is a broad but subtle comedy. I laughed out loud many times. In short, it is a challenging book and what we gain from it depends a great deal on what we bring to it and how deeply we work to understand what Rush is saying and what he is leaving to us to conclude about how we relate to friendship, death, marriage, war, protest and change. And we also are left to wonder how much of what we think we understand of the characters is understood by the characters themselves. I'm on my third reading and still have no answers and likely never will but the effort is rewarding.
29 of 36 people found the following review helpful.
Disappointing
By brjoro
I am a huge Norman Rush fan. 'Mortals' is, in my humble opinion, one of the most incredible and important books published in the last 50 years. So it truly pains me to write a bad review for 'Subtle Bodies.' But it is simply not a good novel. It is a story of a group of 5 college friends from NYU in the 1970s and what happens to them when one of them dies and they gather for his memorial. The big problem is that none of the characters is in any way compelling or interesting, and I felt absolutely zero investment in caring about what happened to any of them. The beautiful writing that Rush brought to 'Mortals' and 'Mating' is still here in bits, he writes great dialogue, the way his characters speak to one another has always been one of his strengths. But it's not enough to salvage this story. If you are a Norman Rush fan, well, he only writes a book every 10-15 years, and it's short, so make your own judgement. But color me devastatingly disappointed in 'Subtle Bodies.'
14 of 17 people found the following review helpful.
convergence
By Case Quarter
four college friends are summoned a couple of decades after their school years to participate in a memoriam to the leader of their group of self-proclaimed wits on the lower east side of new york in the seventies. douglas died in a freak accident on his property in the catskills. central to the property is the castle where douglas lived with his wife and son, hume, a teenaged wild child who prefers living in the woods instead of the castle or the cabin his father had built for him.
douglas was a bit of a goethe, his fortune was made in identifying questionable documents, but he also worked on film scripts and inventions, rumor had it one of his inventions was of interest to the world intelligence community. it's left up to the reader to decide if douglas' death was more than accidental, and if espionage figures into the story. other than a subtle body of coincidences that read like clues, the plot does not divulge any mystery.
instead, the story focuses primarily on the couple ned and nina. ned is employed at a non-profit, armed with petition for his friends to sign to protest the entry of the usa military into iraq. the year is 2002, the protest, planned for february 15, 2003, turned out be the largest anti-war protest in history. knowing the outcome, norman rush revisiting the commitment and hope of activists to recruit and get out the word on a massive scale, believing their voices will make a difference, reveals the cynical worm inside the apple of optimism. but hope, alive in another form, beats on in this story as nina follows ned to the castle, to keep on their schedule to conceive a baby.
the other friends have also done well. elliot is a stockbroker, joris is a lawyer who gives free advice to the prostitutes at the bordello in manhattan where he has a room for an office, and gruen, who gained a lot of weight since their college days, heads an agency that provides public service announcements for television. and there's iva, a renown beauty, douglas' widow, who coordinates the shaping of the memoriam with the early presence of her guests, the attendant media crowd, and house servants.
these aren't the most exciting or inquisitive persons, but norman rush catches the tone of each character with an exactitude true to his controlled setting. and in the end everything comes off smoothly, with all the pieces clicking neatly into place.
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